
For over 20 years, I've worked behind the lens — from producing commercial work for family brands like Tomy Toys to serving as cinematographer on feature films including Canal Street (2018) and 100 Days to Live (2019).
Through those years in film and production, I learned something simple: the most powerful images aren't perfect — they're real.
That philosophy became the foundation of Raw Milk Photography.
Today I focus on capturing childhood the same way I approached cinema — through light, emotion, and honest moments that feel alive long after the day is gone.
Because while life isn't perfect, the moments that matter most are.